Under the morning sun

Author's name: Ibrahim Nasrallah

Ibrahim Nasrallah works on his model with sincerity and belief in the authenticity, value, and necessity of what he produces. His work is crucial in reviving Palestine—history, geography, spirit, and hope—in his creativity in language, place, time, and form. His identity is deeply immersed in the world of writing, and he constantly seeks to renew his tools towards a more refined expressive style in poetry and metaphysical sidr. He reclaims his cinematic culture to achieve this creative convergence between the art of writing and the art of cinema. Ibrahim Nasrallah possesses significant creative value in terms of novelistic achievement, and he has distinguished experiences that have been noted by many Arab critics concerned with narrative narrative, especially his epic experience in (The Palestinian Farce), which includes the novels (Birds of Caution / The Erased Child / Olives of the Streets / Safe Weddings / Under the Morning Sun / The Time of White Horses). When reading Nasrallah's novels, the reader feels as if he is part of an event that is distinguished by its freshness, as if it is just happening, in a way that the reader opens for the first time and belongs to his vision, his space, and his being as a novelist, an affiliation that is almost decisive. This affiliation is manifested through the aesthetics of shaping a type that emerges from the cloak of experience and is not imposed upon it, as the spirit of the poet remains present and current in the depths of the novel's narrative without the poetic dominance over the novel, as might happen to those who work on both genders together.