Fedia and the Caesar

Author: Karim Sobh

Did Dr. Wagdi, the protagonist of the novel "The White Mediterranean Grave", truly die under the snow? Or will he appear in a non-human form in this second part?

This is a central question that only "Fedia and the Caesar" will answer, in an adventure no less strange than his adventure in its first part.

What form has he taken? Has he truly approached Dostoevsky to the extent that he allowed him to seize from him what he abandoned his family and the twenty-first century for?

Has anything changed in his love for his narrative icon when he accompanied him day and night?

Did he grow weary of him in many situations to the point of seriously considering leaving him and returning to his century?

And what about Dostoevsky himself? Did he, for example, discover the existence of an invisible being accompanying him in his travels? If he did, what was his reaction to it?

In all of this, the protagonist of the novel finds himself under various harsh tests. What coincidences led him to Siberia in this second part, just as they led him there in the first part?

Perhaps with a little patience and focus, we will discover that the novel has answered all these questions. Will he again be exposed to the experience of death?

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