This book seeks to trace the impact of novels that were, for me, an aesthetic reference in writing and a passion for reading, just as they are a narrative workshop for developing the imagination and soaring high with characters, places, and situations that have always served as lifesavers from certain despair. Thus, I had to work on cultivating inspiring texts with a different perspective regarding deletion and addition, as if they were a first draft needing localization or registration. The reader will encounter references to some titles mentioned in previous books: "The Law of Guarding Lust," "Against the Library," "The Crow's Stroll," and "The Blind Man's Pit," specifically concerning the novel and nothing else, and placing them in a different arrangement than they were before, according to the reader's will, not the novelist's. Additionally, the book examines the fates of some novels, biographies, and diaries under the category of "writing without anesthesia," where there is no fundamental difference between the tools used in an operating room and a writing room—I mean those texts written by their authors with raw honesty and in the utmost states of disclosure. These selected titles serve as a defense of the work of these two fields and an homage to the craft of those who gifted us an additional life by documenting imagined lives that emerged from the womb of novels into the realm of existence.