Can a film be both realistic and imaginative? And does the line between documentary and fiction still exist in an era where boundaries are blurring and genres are intersecting? This book takes you on a critical and intellectual journey through the history of cinema and its fundamental questions, reconsidering its traditional classifications and revealing how 'objectivity' has become a visual illusion, and how memory has become a creative element in reconstructing reality, not merely transmitting it. Through an analysis of narrative techniques, camera angles, and shot sizes, and through the study of prominent films, the author explores the aesthetic shifts that have propelled cinema beyond the boundaries of documentary and fiction, into a new 'transgenre' space that defies categorization and classification. This book is for anyone who believes that cinema is not merely a mirror of reality, but a tool for reimagining and reshaping it through the vision of the creator and the audacity of imagination.