The talented author of *A Class Worth Killing* regales us with a wonderfully gripping tale of a young suburban painter, Hen, whose history of mental instability leads her to murder. After years of trying, Hen settles on the right medications to control her bipolar disorder. Finally, she finds some peace and reassurance. But when she meets the couple living next door, Hen's calm is shattered when she spots something familiar in the husband's study. It looks exactly like something related to a murder from years ago—one of the few pieces of evidence in a disturbing and intractable case. Hen recognizes it immediately. Her long-term obsession with that closed case against an unknown person has gripped her for years—an obsession she no longer talks about, but also can't let go. Could her neighbor Matthew be a murderer? Or could this be the beginning of another frenzy like the one she suffered in college, when she became consumed by a friend's guilt until she ended up hurting someone else? The more Hen watches Matthew, the more she suspects he's planning something truly terrifying. But no one will believe her. One night, when Hen stands face to face with Matthew in the dark, she realizes he knows she's watching him, that she really is stalking him. And so begins the terrifying nightmare that she may never even get a chance to escape him. "Seriously! What a gripping pulp novel!" - Entertainment Weekly. "Like a dagger to the ribs" - Joe Hill. "Spellbinding and spine-tingling suspense" - Lee Child. "More than aching surprises" - Huffington Post. "What an extraordinary novel!" - Publishers Wilkie (starred review). "A sharply witty text" - San Francisco Book Review. “Gives you a delicious shudder, as good as the thought of that monster under the mattress” – Booklist (starred review). “Blistered with intrigue and surprise, brimming with ecstasy, greed, and betrayal” – Library Journal. “A thrilling, twisty thrill ride” – Dennis Lian. “Filled with twists and turns” – Boston Globe. “Reminiscent of Patricia Highsmith’s Mad Bi trilogy” – Wall Street Journal. “Exceptionally well-written” – Nelson DeMael. “A spellbinding exploration of illusion and deception; sure to please readers of Laura Lippman’s stand-alone novels” – Booklist on All the Beautiful Lies.