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Mediterranean White Tomb
Author's name: Karim Sobh
A novel whose events are hard to believe, but they happened anyway and were narrated as they are. Its hero is university professor Dr. Wagdi, a history specialist. His view of history changes, and he detests it and abandons it for literature, attempting to write his first novel.
The idea eludes him. He knows—somehow—that Dostoevsky died and was unable to write the second part of “The Brothers Karamazov,” which he had planned to come twenty years after the lives of the heroes of the first part. Meanwhile, there is a hidden, unseen party with a direct interest in Dr. Wagdi’s travel to the Russian city of St. Petersburg, where Dostoevsky lived, wrote, and died.
He actually travels there, intending to find someone who will summon Dostoevsky's spirit to dictate to him the text of the second part that was not written.
The process of evocation failed, and the only way for the hero to get the idea for his novel was to return in spirit and in the body of another being to the days of Dostoevsky and experience him closely.
The shamanic old woman he meets by chance, who convinces him to travel to her homeland of Siberia. She turns out to have special powers and performs a ritual that takes him back to Dostoevsky's time, his soul incarnated in another being. How will events develop from there? And what will be the fate of our hero as he pursues nothing more than an idea?
The idea eludes him. He knows—somehow—that Dostoevsky died and was unable to write the second part of “The Brothers Karamazov,” which he had planned to come twenty years after the lives of the heroes of the first part. Meanwhile, there is a hidden, unseen party with a direct interest in Dr. Wagdi’s travel to the Russian city of St. Petersburg, where Dostoevsky lived, wrote, and died.
He actually travels there, intending to find someone who will summon Dostoevsky's spirit to dictate to him the text of the second part that was not written.
The process of evocation failed, and the only way for the hero to get the idea for his novel was to return in spirit and in the body of another being to the days of Dostoevsky and experience him closely.
The shamanic old woman he meets by chance, who convinces him to travel to her homeland of Siberia. She turns out to have special powers and performs a ritual that takes him back to Dostoevsky's time, his soul incarnated in another being. How will events develop from there? And what will be the fate of our hero as he pursues nothing more than an idea?
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