The book is divided into three chapters. The first chapter focuses on the thresholds of autobiographical writing, starting from the "title threshold" as the first threshold directly received by the reader, which somehow arranges their reading horizon towards a detailed text that unfolds from the space of the title threshold. It then moves to the "introduction threshold," which the author Al-Qasimi procedurally described as the "preface," as the author deliberately placed it in this manner to indicate a network of intertwined national and personal autobiographical joints. Parallel to this is also the "conclusion threshold" which occupied the back cover of the book under the title "This Book." The first chapter concluded by researching a very important issue covered in the book "Self-Narration," which is what was called the "document threshold: pictures and maps." The book was rich with these in an exciting manner, with clear intentionality and necessity, as they added much to the credibility of the autobiographical event and its image, and the effectiveness of its performance in terms of both visual and mental reception. This is in addition to the historical importance that the author fully comprehends based on his interest, specialization, and scientific and practical involvement in this field, which is as full of documents as it is of words, if not more, and with the sensitivity of viewing that the presentation of pictures, documents, and maps provides, which is not devoid of dramatic value. The second chapter of the book is titled "The Space of Autobiographical Vision" and began its discussions with "Narrating Place and Enhancing Self-Vision," where the element of place appears as a parallel activity with wide and deep dominance over the activity of the self, within an "autobiographical" synergy that dissolves the place on the one hand and humanizes it, feeding it with the scent and spirit of the "autobiographical" event as an authentic witness, and arming the self with an intense spatial energy that is manifested in all details, vision, state, and sign, so that the place transforms into a support for the narrator, helping them in the process of identifying with the narrated, and facilitating their progress in this path to the farthest possible point. The third chapter, titled "The Formative and Expressive Space," sought in another research context to examine "the stylistic of autobiographical expression: simplicity and linguistic conciseness," to reveal the sensitivity of writing and specialization in the field of history, in a creative, cultural, and intellectual manner centered around a creative and authentic space where elements synergize, unite, interact, and produce. This gives him the opportunity to form deep and intense experience in this field that helps him in creating a stylistic transfer between the different aspects of writing he practices, so that it positively reflects on the richness of language and the aesthetic of expression and stylistic formation.