Daniel Pinac is undoubtedly one of the most unique literary figures in contemporary French literature. If the general classification of writers distinguishes between writers of experience and writers of knowledge, then Daniel Pinac represents a unique case, transcending all classification. He is a writer who draws on both his experience and his knowledge, and in each work he attempts to present a harmonious synthesis of the two sources. He is also almost the only author to transform his biography into fiction, setting a stage for characters who are the same as those surrounding him in his real world. He is also the author who builds his biography not on place, as Le Clezio does, nor on time, as Modiano does, but on themes. Each new author is an opportunity to reflect on a new theme and add another piece to the edifice of biography. In this work, Pinac has chosen the most complex of themes: the dream. What is the proportion of reality in a dream? What is the proportion of imagination in the dreams we narrate? Pinac's answer: 10 percent is reality, and the rest is fantasy, a complex fantasy, as complex as the dream world, which alone can combine the flood of light and the flow of ink, and between director Federico Fellini and Saint Sebastian... overwhelming chaos, but it must have a law... the law of the dreamer.